The Theory and Practice of Tone-relations: An Elementary Course of Harmony, with Emphasis Upon the Element of Melody |
Contents
CONCORD HARMONIES | 1 |
Chordconstruction | 28 |
Rhythm Primary Rules | 35 |
Copyright | |
9 other sections not shown
Other editions - View all
The Theory and Practice of Tone-Relations: An Elementary Course of Harmony ... Percy Goetschius No preview available - 2015 |
The Theory and Practice of Tone-Relations: An Elementary Course of Harmony ... Percy Goetschius No preview available - 2018 |
Common terms and phrases
2d step 4-measure phrases 6th step Allegro altered chords alto Appendix ascending augm B-flat major bass note bass tone BEETHOVEN bo bo CHAPTER chord-fifth chord-form chord-progressions chord-repetition chord-seventh Comp connection consonant D major diatonic scale discords dissonant dom.-ninth dom.-seventh dominant chord doubled E-flat major embellishment example F-natural f-sharp following chords following melodies G major G-staff Harmonize the following I₁ illustration inharmonic interval IV₁ keynote leading-tone Lesson 16 major and minor major keys major third measure mediant minor mode minor scale Mixed chords modulation Neighboring-note next-related key ninth octave optional Organ-point Passing-notes perfect 5th perfect cadence perfect fifth possible principal triads progression raised 4th step rare resolution resolve rhythm RULE scale-step second inversion Second-class chords semicadence sequence seventh signature slur soprano stationary Subdom subdominant subordinate triad succession Suspension tenor third three upper tonic chord unaccented usual V₁ voices wide leap नै