Vision and Visuality, Issue 2Hal Foster A Village Voice Best Book of the Year, this seminal work presents new models of vision and examines modern theories of seeing in the context of contemporary critical practice. With contributions by:
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Page x
... jects and underscores the rhetorical conventionality of sight . For Jay , each practice extends beyond its own historical formation : not only is the first said to operate in certain modernist forms , but the second is seen now to ...
... jects and underscores the rhetorical conventionality of sight . For Jay , each practice extends beyond its own historical formation : not only is the first said to operate in certain modernist forms , but the second is seen now to ...
Page 97
... jects around it , whose existence the subject is free to doubt , without that doubt entailing that the subject come to doubt its own existence . And the subject ( iii ) remains itself despite trans- formation in the material world . In ...
... jects around it , whose existence the subject is free to doubt , without that doubt entailing that the subject come to doubt its own existence . And the subject ( iii ) remains itself despite trans- formation in the material world . In ...
Page 122
... jects misrecognize themselves into place.7 If there can be no idealization of the unconscious , there- fore , it is not just because of the negative of its contents , but be- cause without the category of the ego to which it is opposed ...
... jects misrecognize themselves into place.7 If there can be no idealization of the unconscious , there- fore , it is not just because of the negative of its contents , but be- cause without the category of the ego to which it is opposed ...
Contents
Jonathan Crary | 29 |
Rosalind Krauss | 51 |
GENERAL DISCUSSION | 79 |
Copyright | |
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Alpers argue art history art of describing artists beat body Buci-Glucksmann Cambridge camera obscura Cartesian perspectivalism Ch'an concept construction critique cultural decentering Descartes Dia Art Foundation discourse discussion dominant Dutch art erotic example fantasy figure film folie du voir Foucault frame Freud gaze grid Hal Foster Helmholtz historical Ibid Jacqueline Rose Jacques Lacan Jameson jects Jonathan Crary Lyotard Martin Jay matrix Max Ernst Merleau-Ponty modern modernist nerve nineteenth century Nishida Nishitani Norman Bryson notion object observer optical Pablo Picasso painting paranoid perception perspectivalist perspective photography physiological Picasso political position postmodern produced psychic psychoanalysis pulse question radical relation Renaissance representation Richard Rorty Rosalind Krauss Sartre and Lacan Sartre's scopic regime seems sense sight sion social specific śūnyatā techniques theory thought tion tive tradition trans twentieth century unconscious University Press viewer visual experience visual field visual space Western zootrope