Vision and Visuality, Issue 2Hal Foster A Village Voice Best Book of the Year, this seminal work presents new models of vision and examines modern theories of seeing in the context of contemporary critical practice. With contributions by:
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Page 88
... śūnyatā or “ blankness ” ; and concerning , in the practice of painting , the repercussions of the structures of le regard , the Gaze , and śūnyatā , blankness or emptiness , at the level of brush , pigment , and frame . || Sartre's ...
... śūnyatā or “ blankness ” ; and concerning , in the practice of painting , the repercussions of the structures of le regard , the Gaze , and śūnyatā , blankness or emptiness , at the level of brush , pigment , and frame . || Sartre's ...
Page 97
... śūnyatā , translated as “ emptiness , " “ radical impermanence , " " blankness , " and " nihility . " 8 The en- tity , as a conceptual category , is found unable to withstand the critique of sunyata , and transposed to the field of sunyatā ...
... śūnyatā , translated as “ emptiness , " “ radical impermanence , " " blankness , " and " nihility . " 8 The en- tity , as a conceptual category , is found unable to withstand the critique of sunyata , and transposed to the field of sunyatā ...
Page 100
... śūnyatā the object is found to exist , not at the other end of tunnel vision , but in the total field of the universal remainder . The object opens out om- nidirectionally on to the universal surround , against which it de- fines itself ...
... śūnyatā the object is found to exist , not at the other end of tunnel vision , but in the total field of the universal remainder . The object opens out om- nidirectionally on to the universal surround , against which it de- fines itself ...
Contents
Jonathan Crary | 29 |
Rosalind Krauss | 51 |
GENERAL DISCUSSION | 79 |
Copyright | |
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Alpers argue art history art of describing artists beat body Buci-Glucksmann Cambridge camera obscura Cartesian perspectivalism Ch'an concept construction critique cultural decentering Descartes Dia Art Foundation discourse discussion dominant Dutch art erotic example fantasy figure film folie du voir Foucault frame Freud gaze grid Hal Foster Helmholtz historical Ibid Jacqueline Rose Jacques Lacan Jameson jects Jonathan Crary Lyotard Martin Jay matrix Max Ernst Merleau-Ponty modern modernist nerve nineteenth century Nishida Nishitani Norman Bryson notion object observer optical Pablo Picasso painting paranoid perception perspectivalist perspective photography physiological Picasso political position postmodern produced psychic psychoanalysis pulse question radical relation Renaissance representation Richard Rorty Rosalind Krauss Sartre and Lacan Sartre's scopic regime seems sense sight sion social specific śūnyatā techniques theory thought tion tive tradition trans twentieth century unconscious University Press viewer visual experience visual field visual space Western zootrope