Modern Music: The Avant Garde Since 1945A look at music since 1945 focuses on the development of new instrument technology, the theory of serialism, and the use of chance or choice in composition |
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Contents
Paris 19458 | 21 |
New York 194850 | 34 |
DarmstadtParis 19512 | 45 |
Copyright | |
11 other sections not shown
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Common terms and phrases
avant garde Babbitt Barraqué bass Berio Boosey Boulez Cage Cage's cello chords chorus chromatic clarinet complex composer’s composers composition concerned Concerto contemporary Darmstadt duration dynamic levels earlier El Cimarrón electronic music Example Experimental Music flute harmonic harp Henze hexachord Ibid improvisation instance instruments Kagel Karlheinz Stockhausen Kontra-Punkte Kreuzspiel Ligeti London marteau sans maitre material melody Messiaen Mode de valeurs movement musicians musique concrète Nonesuch H Nono notation º º oboe octave opera organization percussion performance Peters Piano Pieces Piano Sonata pitch classes played players Pli selon pli polyphony Pousseur prepared piano quintet quotations Reihe repertory rhythm rhythmic Schoenberg Schott score semiquavers Sequenza shows Sleeve note solo soloist soprano sound Stockhausen Stravinsky String Quartet Structures Ia style suggests Symphony synthesis tape techniques tempo theatre timbre total serialism Universal unpublished vibraphone violin vocal voice Webern Wergo work’s Xenakis
Bibliographic information
| Title | Modern Music: The Avant Garde Since 1945 |
| Author | Paul Griffiths |
| Edition | reprint |
| Publisher | G. Braziller, 1981 |
| Original from | the University of California |
| Digitized | Oct 22, 2008 |
| ISBN | 0807610186, 9780807610183 |
| Length | 331 pages |
| Subjects | › Music / Reference |
| Export Citation | BiBTeX EndNote RefMan |