The Drummer's Path: Moving the Spirit with Ritual and Traditional Drumming
Drummer, dancer, and folklorist Sule Greg Wilson introduces the principles behind African and Diaspora music, including breath, posture, and orchestration.
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Afro-Cuban American Ausar Auset Ausar Auset Society Babatunde Olatunji bass bata beat bell bembe berimbau bodhran body breath calluses capoeira caxixi Center ceremony chakras chanting Chief Bey clave comes conga drum culture dance dancers deities Diaspora djembe drum head drum orchestra drum's Drummer's Path audiocassette/CD drummers energy Euro-American feel folks force Ghana Gullah hand drums Harlem harmony healing heard heat Heru inside invocation jazz Jody jun-jun Khamit Khamitian Kutiro Ladji Lamba learned Listen living look martial art Mbira move muscles musicians night Oberlin Olatunji Olukose Olukose's one's Orisa Orisa Conference percussion instruments percussionist performance person player playing Principles rehearsals relaxed religion rhythm ritual Santeria sekere Shango Shekhem side skin someone song songba sound Spirit stick strummey Sule talking technique thing Tommy U.S. African vibes watching Western Wolof women York City Yoruba
Page xv - They do it with who they are, with their emotions, with their life experiences, with their thoughts. One's state of Spirit molds the music and the art that is made, and it affects the people it comes in contact with. Your words, your thoughts, your work are charged with your cumulative and instantaneous Being. That's why in some African societies it is against the law to "talk bad Toout somebody.