Sure Seaters: The Emergence of Art House Cinema

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U of Minnesota Press, Jan 1, 2001 - Performing Arts - 178 pages
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Sure seaters: the emergence of art house cinema

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The Production Code crackdown on American movies in the mid-1930s and the propaganda films made during World War II imposed a blandness on American films. Immediately after the war, international ... Read full review

Contents

Demitasse Intermissions and Lobbies Hung with Paintings
104
Notes
139
Bibliography
165

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About the author (2001)

Wilinsky is assistant professor in the Department of Media Arts at the University of Arizona.

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