Choruses, Ancient and ModernChoruses, Ancient and Modern examines the ancient Greek chorus and its afterlives in western culture. Choruses, though absolutely central to the social, political, and religious life of classical Greece, no longer hold the same broad importance in modernity, yet the attraction of the Greek chorus has proved a strong impetus to reimagining. Artists and thinkers have continually appropriated Greek choruses to their own ends, and the body of these engagements constitutes a rich and hitherto-unexplored area of the reception of classical antiquity. Exploring the choral tradition from archaic Greece to the present across a variety of different media, the volume thematically juxtaposes perspectives on choruses to create a dialogue between ancient and modern contexts. Following a substantial introduction, the four sections of the book discuss the place of the chorus within scholarship, aesthetic and philosophical perspectives on the chorus, reflections on absences of the chorus, and the social and communal potential of the chorus. Each section considers antiquity and modernity in counterpoint, at once de-familiarizing ancient contexts of the chorus and defining crucial moments in modern choral traditions. |
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Contents
Introduction | 1 |
Part I Scholarship | 13 |
Part II Aesthetics | 79 |
Part III Shadows | 171 |
Part IV Community | 259 |
377 | |
407 | |
Common terms and phrases
action actors Aeschylus aesthetic Alcman Allegro ancient chorus ancient Greek Antigone antiquity Aristotle’s artistic Athenian Athens audience Bacchae Brecht Brechtian Brumoy century Chapter character choeurs choral odes choral performance choral song choreia choric theatre chorus members classical collective conflict context corps de ballet critical culture dance dancers defined definition difficult Dionysus discussion dithyramb Electra ensemble Euripides festival choruses figure final find first French function genre German Idealist Goldhill Greece Greek chorus Greek drama Greek tragedy Hammerstein Heracles Iacchus ideal identified individual influence leitmotifs Leyhausen lyric Macintosh modern musical theatre mystic chorus Nietzsche Oedipus onstage opera orchestra Oresteia Orestes Paean pantomime Persians Philoctetes Pindar Plato’s play poet poetic poetry polis political production Prometheus reference reflection Reinhardt’s represented ritual role scene Schiller Schlegel Seaford Senecan significant singing social Sophocles space specific spectators stage theatrical tradition tragic chorus translation voice Voltaire Voltaire’s Wagner