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The Steps on the River Bank
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acting activity actor artists attempt audience became become began beginning Bengali Bombay Calcutta centres character cinema classical contemporary continued course created creative critics culture dance decades Delhi directed directors drama early effect elements emerged English exist experience expression fact festivals film filmmakers folk followed forms groups hand Hindi identity important Indian individual industry influence institution interest kind language later lighting living look major Marathi means movement Mughal-e-Azam nature organized original performance plays political popular possible present problems production professional question regional remains role scene School sense situation social society songs space stage star started story style success theatre theatrical themes traditional University urban various Western whole writing written young