Time-Life Books, 1983 - Photographers - 248 pages
First factor in photography is intent. The second factor is skill. Finally, the great photographer must execute his intention with a consistancy lesser photographers cannot approach.
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Alfred Stieglitz American artists August Sander Bayard beauty Brady Brandt Califomia calotype camera Caponigro Carjat caught Center The University Charles Negre color composition concemed Cosindas courtesy Gemsheim Collection create daguerreotype darkroom date unknown Demachy detail Diane Arbus Edward Steichen Edward Weston Erich Salomon Etienne Carjat Eugene gallery Gardner graphs Halsman Heinecken Hine Humanities Research Center images Josef Koudelka Karsh Kertesz Koudelka landscape light Lisette Model look McCullin Modem Art Moholy-Nagy Museum Nadar nature negatives Notman painter painting Paris pattem phers Philippe Halsman photogra photographer's Photographers represented photojoumalist plates portrait pose prints realism record Rejlander reveal Robert Rodchenko scene Siskind sitters Southworth and Hawes Stephen Shore street studio style subjects Sudek technique Texas at Austin Thomson TIME-LIFE tion tographer took tree tumed tures Uelsmann Vroman Watkins William Henry window Winogrand woman wrote York City