What people are saying - Write a review
We haven't found any reviews in the usual places.
A Glorious Trinity
Foreword to Part One
The Power of Sonority Is Not a Novelty
26 other sections not shown
admirable Allegro Andante appoggiaturas aria arpeggios autograph Bach's bass beautiful Beethoven broken chords cantatas character Chopin clavichord composers counterpoint countersubject Couperin dance eighteenth century expression F Major fingers Flat Major flute fortepiano French music French overture G Minor Gavotte genius German gigue Goldberg Variations hand Handel harmony harpsi harpsichord harpsichordists Haydn improvised inspiration instrument interpretation Inventions Italian Concerto J. S. Bach Karl Philipp Emanuel keyboard keyboard instruments listen LP HMV LP RCA France Lully lute masters melodic line melody ment modern movement Mozart musicians musicologists Musique never notes opera orchestra ornaments overture Paris passion past performed Philipp Emanuel Bach phrase pianist piano piece played Preludes and Fugues pupils Quantz Rameau rhythm Sarabande Scarlatti Schmieder seventeenth Sharp Minor singing sixteenths solo Sonata sonority strings style Suite taste tempo tender theme tion trill violin virtuosos voices Wanda Landowska Well-Tempered Clavier writing written