Film Noir Reader 2
Alain Silver, James Ursini
Limelight Editions, 1999 - Performing Arts - 346 pages
(Limelight). Generously includes film stills and essays on crime films, The Postman Always Rings Twice , "Hitchcock's Noir Landscape," "Samuel Fuller's Tabloid Cinema," "Son of Noir," "Noir Science," "Girl Power: Female Centered Neo-Noir," and "Abstract Expressionism and Film Noir."
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the Criminal Adventure
Three Faces of Film Noir
On the Openings of Films Noirs
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Abstract Expressionism Abstract Expressionist Alain Silver alienation American film artist audience Barbara Stanwyck Bernzy Big Sleep British film noir Cain camera Chandler character City classic noir classic period Cora Cornell Woolrich crime film critics cultural Dana dark death detective Double Indemnity Everson evil existential Expressionism and Film female femme fatale fiction Figure film noir Film Noir Reader film's filmmakers Frank fugitive Fuller gangster genre hard-boiled hero Hitchcock Hollywood images James jazz kill killer Kiss Me Deadly Lady from Shanghai landscape Leja lt's male Maltese Falcon Marlowe murder mystery narration narrative neo-noir night no/r noir films noir's novel obsessed painting Phantom Lady photographed picture plays plot police Pollock Postman Always Rings protagonist Rings Twice Robert role Rothko Scarlet Street scene sequence sexual shot Siodmak spectator story suspense Thelma theme tion Truffaut victim viewer violence visual style Weegee woman women York