A Hell of a Woman

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Little, Brown, Mar 1, 2012 - Fiction - 208 pages
4 Reviews
Frank "Dolly" Dillon has a job he hates, working sales and collections for Pay-E-Zee Stores, a wife named Joyce he can't stand, and an account balance that barely allows him to pay the bills each month. Working door-to-door one day, trying to eke money out of folk with even less of it than he has, Dolly crosses paths with a beautiful young woman named Mona Farrell. Mona's being forced by her aunt to do things she doesn't like, with men she doesn't know--she wants out, any way she can get it. And to a man who wants nothing of what he has, Mona sure looks like something he actually does.

Soon Dolly and Mona find themselves involved in a scheme of robbery, murder and mayhem that makes Dolly's blood run cold. As Dolly's plans begin to unravel, his mind soon follows.

In A HELL OF A WOMAN, Jim Thompson offers another arresting portrait of a deviant mind, in an ambitious crime novel that ranks among his best work.

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Review: A Hell of a Woman

User Review  - Guy Salvidge - Goodreads

Jim Thompson novel #8, and for me it falls between the top tier novels (Pop 1280, Savage Night, The Killer Inside Me, A Swell-Looking Dame) and the mid tier ones (After Dark, My Sweet, The Getaway ... Read full review

Review: A Hell of a Woman

User Review  - Zelmer Wilson - Goodreads

This is only the second novel by Jim Thompson that I've read. The first one was The Killer Inside Me and I enjoyed it, as I did this one. The plot is simple and while there are twists, any reader of ... Read full review

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About the author (2012)

James Meyers Thompson was born in Anadarko, Oklahoma. He began writing fiction at a very young age, selling his first story to True Detective when he was only fourteen. Thompson eventually wrote twenty-nine novels, all but three of which were published as paperback originals. Thompson also wrote two screenplays (for the Stanley Kubrick films "The Killing" and "Paths of Glory"). An outstanding crime writer, the world of his fiction is rife with violence and corruption. In examining the underbelly of human experience and American society in particular, Thompson's work at its best is both philosophical and experimental. Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet (1955), and The Grifters (1963).

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