Caravaggio: Realism, Rebellion, Reception
This volume considers Caravaggio's revolutionary realism from a range of perspectives, presenting new avenues for research by a plurality of leading scholars. First, it advances our understanding of Caravaggio's relationship with the new science of observation championed by Galileo. Second, it examines afresh the theoretical nature and artistic means of Caravaggio's seemingly direct realism. Third, it extends the horizons of research on Caravaggio's complex intellectual and social milieu between high and low cultures. Genevieve Warwick is Senior Lecturer in the Art History department at the University of Glasgow.
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Caravaggio in History
Caravaggios Life and Lives Over Four Centuries
Self and Myth in Caravaggios David and Goliath
Caravaggio and the Matter of Lyric
Caravaggios Literary Culture
Caravaggio and the Socially Marginal
Amor Annibale Annibale Carracci argued artist Bacchus Baglione Baglione's beauty Bellori biographers Bologna Borghese Boy Bitten Calvesi Caravag Caravaggio Caravaggio's early Caravaggio's painting Caravaggio's personal Cardsharps Carducho Carracci century ch[e Cinotti color conceit Contarelli Contarelli Chapel critics Cropper culture David and Goliath death depicted early modern elite epigram epigrammatic essay example Ferdinando figures Fortune-teller Francesco Friedlaender 1955 Galileo Galleria Borghese genre Gentileschi gio's Giovanni Giovanni Baglione Giustiniani Head of Goliath Hibbard history painting imitation interpretation Italian Knights of Malta light literary Longhi Lute Player lyric Malta Mancini Marino Medusa Michelangelo mirror Naples narrative National Gallery naturalist nature Onorio Longhi painter papal patrons pictorial picture poems poet poetic poetry portrait Poseq Poussin Puglisi ravaggio's realistic Redondi religious Reni's representation Roman Rome scholars Scipione Scipione Borghese seicento self-portrait Sleeping Cupid social style theater theme tion Titian viewer Vincenzo Vincenzo Giustiniani visual zingara