Looking at Medea: Essays and a translation of Euripides’ tragedy

Front Cover
David Stuttard
A&C Black, May 22, 2014 - History - 288 pages
Euripides' Medea is one of the most often read, studied and performed of all Greek tragedies. A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Medea can appear at once timeless and strikingly modern. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy. This collection of essays by leading academics addresses these issues, exploring key themes such as revenge, character, mythology, the end of the play, the chorus and Medea's role as a witch. Other essays look at the play's context, religious connotations, stagecraft and reception. The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original.
 

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Contents

List of Illustrations
Introduction Medeain
MurderintheFamily
Medea Beforeandalittle
Euripides Production of 431
Staging Medea Rosie Wyles
The Nurses Tale Ian Ruffell 6 Reevaluating JasonJames Morwood 7 The FinalSceneRichard
It Wouldnt Happen Here Could It? Chorus and Collusion in Euripides Medea Sophie Mills 9 Medeas VengeanceHannaM
Feminism orMisogyny? Douglas
Divine and Humanin Euripides Medea
Black Medeas Betine Van Zyl Smit
Euripides Medea translatedby David Stuttard
Index
Copyright

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About the author (2014)

David Stuttard is founder of the theatre company, Actors of Dionysus, translator of numerous Greek plays, and author of titles including Parthenon, Power and Politics on the Acropolis (2013), Looking at Lysistrata (Bloomsbury, 2010) and The Romans Who Shaped Britain (2012).

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