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E WOOD STRETCHERS AND STRAINERS
F ATTACHING THE CANVAS TO THE STRETCHER
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acrylic paint Acryloid B-72 adhesive applied artists attached barium brace bristle brush Cadmium camera cardboard Chapter clean coat cobalt linoleate conservation corners crate dammar dammar varnish Description diluent Disadvantages dissolve dried drying oil edge face ferrule Figure filters final varnish flat frame gelatin gesso glass glaze grinding ground gum turpentine impasto inches inert material ingredient in painting inpainting lamps lens light linen linseed oil manufactured Masonite metal mineral spirits mixed Mylar nish oil paint oil Source Opoo ounces oxide paint film paint layer PAINTING KNIVES painting mediums painting support PALETTE KNIVES paper photograph Phthalocyanine pigment plywood Polyvinyl Acetate Q-tip rabbitskin glue remove resin resinous varnishes sable screws shape sheets side sizes solution solvent staple STEP storage strainer stretched studio support fabric surface accretion synthetic tack techniques thin tinting strength tion transparent Varsol violet wax/resin weave white lead Winsor & Newton yellow