The grass dancer
On a Sioux reservation in North Dakota potent forces converge today, asthey have for centuries. Ancestral ghosts make their presence known among the living.Dreams inspire journeys, both literal and physical. The dying are summoned to a councilfire "five steps beyond the edge of the universe." And, through it all, good medicine andbad magic nudge the intricate twists of fate. Such is the setting for Susan Power's debut novel, The Grass Dancer, itselfa remarkable journey through many times and many realms. Power, an enrolled memberof the Standing Rock Sioux tribe, has created a spellbinding collection of interwoventales that not only illuminate the hearts, minds, and spirits of an unforgettable cast ofcharacters but also offer startling insights into the use and abuse of power. In the first contemporary scene of The Grass Dancer a young man's life isstruck by tragedy for the second time. Harley Wind Soldier, whose father and olderbrother were killed in a car accident four weeks before his birth, meets Pumpkin, anunusual and irresistible young woman, at an inter-tribal powwow. After astonishing thecrowd with her command of the ritual "grass dance," Pumpkin spends the night withHarley, and both discover she is the one who can light the empty corners of his soul. Butthe next day, Pumpkin is killed in a car crash. An accident perhaps, or the work ofMercury Thunder - the reservation witch whose granddaughter, Charlene, has also set hersights on Harley. As the novel unfolds, we learn more of the complex, intertwined histories thatultimately brought this scenario into being. We learn of Harley's family secret and of thetrue reason his mother, Lydia, relinquished her power of speech when she was widowed.We learn of Charlene's bondage to--and ultimate liberation from--a grandmother whoeveryone on the reservation rightfully fears. And we learn what awful circumstance couldbring a woman such as Mercury Thunder to manipulate her tremendous gift of power forevil ends. Along the way we encounter many others whose individual stories are threads in thislarger tapestry. Jeannette McVay is a teacher at the Indian school who came to studyIndian "superstition" and finds herself inextricably bound to the reservation as if by apreternatural tie. Red Dress and Ghost Horse are two formidable spirits whose influenceextends across boundaries of death. Harley's grandmother, Margaret Many Wounds, stopson her way to the ancestral council fire to frolic on the moon with the Apollo astronauts. The Grass Dancer is a cornucopia of legends and legacies, secrets andsurprises. As one layer of its tale is peeled away, another is revealed, until we are leftwith a core of understanding of the hopes, dreams, values, and attitudes that informpeople and a culture across the generations. Power is a storyteller whose narratives are sovivid that readers are, time and again, shocked when they realize what they have been toldis a fictional tale.
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Alberta Archie arms asked beads beneath body boys braids breath brother bull snake Calvin Wind Soldier chair Charlene Chaske chokecherries Chuck Norris corn soup Crystal Dakota Dakota song dance door dream Edwin Aldrin Evelyn Evie eyes face Fanny Father La Frambois feel feet felt fingers Frank Pipe Ghost Horse girl grandmother ground hair hands Harley Wind Soldier Harley's head hear heard Herod Small husband Jeannette McVay kitchen knew laughed legs lips Long Chase looked Lydia Margaret Martin Mercury Mercury's moccasins mother mouth moved never night nodded North Dakota noticed Patsy Cline Philbert powwow pulled Pumpkin Pyke Red Dress shook shoulder Sioux sister slipped smiled song spirit Spotted Dog stared steps stood story Susan Power tell thing thought thurible told took voice Wakan Tanka walked warriors watched wearing whispered woman Yuwipi
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Cultural Haunting: Ghosts and Ethnicity in Recent American Literature
No preview available - 1998