L'Espace Littäraire

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U of Nebraska Press, 1989 - Literary Criticism - 279 pages
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Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers?among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness.

The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmä, Kafka, Rilke, and H lderlin. Blanchot's discussions of those writers are among the finest in any language.


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around p. 200, on the author seeing how two sites of interest may connect, and the only place for this connection can be in the work of art. the moment at which "that which is glorified in the work IS the work, when the work ceases in some way to have been made, to refer back to someone who made it, but gathers all the essence of the work in the fact that now there is a work--a beginning and initial decision--this moment which cancels the author." p.200
Also p. 47: "it is because, through a radical reversal, he already belongs to the work's requirements that, looking at a certain object, he is by no means content to see it as it might be if it were out of use, but makes the object the point through which the work's requirements pass and, consequently...the given world 'dissolves.'
See also p. 27 on the author giving silence to an undifferentiated mass of sound that is language.

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About the author (1989)

Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's The Writing of the Disaster for the University of Nebraska Press in 1986.

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