How New York Stole the Idea of Modern Art

Front Cover
University of Chicago Press, Apr 15, 1985 - Art - 277 pages
3 Reviews
"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review
 

What people are saying - Write a review

Review: How New York Stole the Idea of Modern Art

User Review  - Lauren Cunningham - Goodreads

This book had a lot of educational value to it, and there were definitely some interesting points to it, but it was a hard read for me. I was very bored, and the academic/essay value in which it was written made it hard to catch my attention. Read full review

Review: How New York Stole the Idea of Modern Art

User Review  - Mary Cecilia - Goodreads

I've re-read this book a few times. It is a fabulous account of the Cold War politics that affected the burgeoning art scenes. Love love love it! Read full review

Contents

New York 19351941 The DeMarxlzation of the Intelligentsia
17
The Second World War and the Attempt to Establish an Independent American Art
49
The Creation of an American AvantGarde 19451947
101
Success How New York Stole the Notion of Modernism from the Parisians 1948
165
Conclusion
195
Notes
207
Bibliography
251
Index
267
Copyright

Common terms and phrases

References to this book

All Book Search results »

About the author (1985)

Serge Guilbaut is professor and department head in the Department of Fine Arts at the University of British Columbia.

Bibliographic information