Women Artists and the Parisian Avant-garde: Modernism and Feminine Art, 1900 to the Late 1920s

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Manchester University Press, 1995 - Art - 186 pages
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Examination of the work and artistic culture of women artists in France in the early twentieth century. The author explores the critical culture through which their work was represented and patronised, and the contemporary perceptions of femininity involved. In the process, she provides reasons why many of these names have been 'written out' of modern art history.

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About the author (1995)

Gill Perry is professor of art history at the Open University, UK, and the author of "Women Artists and the Parisian Avant-Garde" and "Spectacular Flirtations: Viewing the Actress in British Art and Theatre, 1868-1820".

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