On Method Acting |
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Page 31
... begin with a simple pain in the tooth . This is a problem most of us have experienced and one that is local- ized at first inspection to the area of the tooth itself . EXERCISE III ( A ) Begin the exercise in the same kind of chair used ...
... begin with a simple pain in the tooth . This is a problem most of us have experienced and one that is local- ized at first inspection to the area of the tooth itself . EXERCISE III ( A ) Begin the exercise in the same kind of chair used ...
Page 50
... begin with the physical task . ( D ) As the physical task is being done , begin the Affective Memory exercise . Start at the very beginning of the exercise and retrace slowly with the inner concentration , all the sen- sory objects you ...
... begin with the physical task . ( D ) As the physical task is being done , begin the Affective Memory exercise . Start at the very beginning of the exercise and retrace slowly with the inner concentration , all the sen- sory objects you ...
Page 131
... begin with a sheer physical presentation of the animal as derived from the observation- study . The physical attitude such as the animal " posture , " stance , body , arm and head movements should begin purely technically , using the ...
... begin with a sheer physical presentation of the animal as derived from the observation- study . The physical attitude such as the animal " posture , " stance , body , arm and head movements should begin purely technically , using the ...
Contents
Introduction | 1 |
On the Art of Acting | 11 |
On Actors Problems | 71 |
Copyright | |
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Common terms and phrases
able acting actions actor's instrument Actors Studio actress actually Affective Memory exercise Animal Exercises artistic aspects audience author's awareness baby begin behavior believe body chair chapter characterization Cohan complete conscious create creative director emotions end result exer experience expression eyes feeling Geraldine Page Group Theatre happened Harold Clurman Hatful Of Rain human imagination imitation important improvisation individual Inner Character involved James Dean Lee Strasberg legs lines Marilyn Marilyn Monroe Marlon Brando means mental Method actors Moscow Art Theatre movement natural never object observation Outer Character pain pantomimic performance person phase Physical Exercise physical task play portraying problems produce qualities reader reality realize reason rehearsals relaxation remember role scene script sensation Sense Memory sensory simple sitting situation sometimes speak speech stage Stanislavsky student subconsciously talent teacher tension theatrical thoughts tion true truth usually voice walk words