On Method Acting |
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Page 76
... rehearsal , but the director must not make the mistake of allowing these indi- cating - rehearsals to progress or carry over into a normal rehearsal . It is the contrast of the normal rehearsal and the indicating one that helps to solve ...
... rehearsal , but the director must not make the mistake of allowing these indi- cating - rehearsals to progress or carry over into a normal rehearsal . It is the contrast of the normal rehearsal and the indicating one that helps to solve ...
Page 82
... rehearsals , and , eventually , in the performance is punctuation or , rather , the lack of punctuation . Actors ... rehearsals . Verbal patterns of speech are difficult to break once they have been set by several rehearsals . They ...
... rehearsals , and , eventually , in the performance is punctuation or , rather , the lack of punctuation . Actors ... rehearsals . Verbal patterns of speech are difficult to break once they have been set by several rehearsals . They ...
Page 83
... rehearsals . Consequently , we begin to read the lines over , trying to memorize them , but subconsciously forming set patterns of how we will say them when on stage . This is the first step toward setting a verbal pattern which may be ...
... rehearsals . Consequently , we begin to read the lines over , trying to memorize them , but subconsciously forming set patterns of how we will say them when on stage . This is the first step toward setting a verbal pattern which may be ...
Contents
Introduction | 1 |
On the Art of Acting | 11 |
On Actors Problems | 71 |
Copyright | |
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Common terms and phrases
able acting actions actor's instrument Actors Studio actress actually Affective Memory exercise Animal Exercises artistic aspects audience author's awareness baby begin behavior believe body chair chapter characterization Cohan complete conscious create creative director emotions end result exer experience expression eyes feeling Geraldine Page Group Theatre happened Harold Clurman Hatful Of Rain human imagination imitation important improvisation individual Inner Character involved James Dean Lee Strasberg legs lines Marilyn Marilyn Monroe Marlon Brando means mental Method actors Moscow Art Theatre movement natural never object observation Outer Character pain pantomimic performance person phase Physical Exercise physical task play portraying problems produce qualities reader reality realize reason rehearsals relaxation remember role scene script sensation Sense Memory sensory simple sitting situation sometimes speak speech stage Stanislavsky student subconsciously talent teacher tension theatrical thoughts tion true truth usually voice walk words