Terpsichore in Sneakers: Post-Modern Dance

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Wesleyan University Press, Mar 1, 2011 - Performing Arts - 311 pages
2 Reviews
Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane’s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.

Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire.

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Review: Terpsichore in Sneakers: Post-Modern Dance

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An excellent reference and introduction to the Judson choreographers and personalities. It really should get 4 stars, but it's a bit of a dry read. I should have bought it for my shelf instead of renting it from the library and pushing my way through it. Read full review

Review: Terpsichore in Sneakers: Post-Modern Dance

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Sources of PostModern Dance
Dancing as if Newborn
Simone Forti Animal Stories
The Aesthetics of Denial
Yvonne Rainer Chart from A Quasi Survey of Some Minimalist Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora or an An...
Physical Things
Steve Paxton Satisfyin Lover
Gravity and Levity
Lucinda Childs Street Dance
Homemade Metaphors
Meredith Monk Notes on the Voice
Being Dancing Beings
Kenneth King from PrintOut
Cool Symmetries
Douglas Dunn Talking Dancing
The Presentation of Everyday Life as Dance

Trisha Brown Skymap
The Ambiguities
David Gordon Response
The Cosmic Dance
Deborah Hay Excerpts from The Grand Dance
The Act of Seeing
The Grand Union Q A
Selected Bibliography

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About the author (2011)

SALLY BANES is associate professor of dance history and theater studies at Cornell University. She graduated from University of Chicago (B.A. 1972) and New York University (Ph.D. 1980) and has taught at Wesleyan University, the State University of New York at Purchase, Florida State University, and the New York City School of Visual Arts. Banes has received Guggenheim, Mellon, and The American Council of Learned Socities fellowships. She has been editor of Dance Research Journal and performance art critic for the Village Voice, and she was formerly a senior critic at Dance Magazine, a contributing editor to Dance Scope and Performing Arts Journal, and the dance editor of the Chicago Reader and Soho Weekly News. Her books include Democracy’s Body: Judson Dance Theater 1962-1964; Fresh: Hip Hop Don’t Stop, with Nelson George, Susan Flinker, and Patty Romanowski; Our National Passion: 200 Years of Sex in America, with Sheldon Frank and Tem Horwitz; Sweet Home Chicago: The Real City Guide, with Sheldon Frank and Tem Horowitz; and Amazing Grace: Images in the Avant-Garde Arts of the 1960s, to be published in 1990. She has edited Footnote to History, by Si-lan Chen Leyda, and Soviet Choreographers in the 1920s by Elizabeth Souritz. She lives in Freeville, New York.

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