Music and copyright
Copyright lies at the very heart of the music business. It determines how music is marketed, artists are rewarded, and all the uses to which their work is put. And copyright claims and counter-claims are the source of recurring conflict: Who wrote what and when? Who owns these sounds? What are you allowed to do with them? Disputes about copying and theft are becoming ever noisier with digital technology and the new possibilities of sampling and downloading and large-scale piracy. This book has been written to explain the copyright system to non-legal specialists and to show why copyright issues are so fascinating and so important. Copyright is analyzed as a matter of philosophy and economics as well as law. It is approached from the contrasting perspectives of composers, performers, producers and bootleggers. Copyright law is seen to be central to the relationship between the global entertainment industry and local musical practices. The questions raised here are not just about music. They concern thevery meaning of intellectual property rights in the context of rapid global and technological change. And they are not just about big business. They impinge on all our lives.
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The History and Philosophy of Copyright
Copyright and Economics
Copyright Politics and the International Music Industry
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agreement argued argument artists authorship Beastie Boys Berne Convention broadcasters cent chapter collecting societies commercial common composers compulsory licensing consumers contracts copying Copyright Act copyright law copyright owners copyright protection corporate costs countries court creative creators cultural digital rights management discussed distribution downloading economic European example exploitation fair film global IFPI important incentive individual infringement intellectual property interests Internet involved issue Kawohl legislation licensing literary London mechanical rights monopoly music business music copyright music industry music publishers musical composition musicians Napster neighbouring rights organisations original ownership Performing Right Performing Right Society piracy popular music practice printed problem production property rights public domain radio recognised record companies record labels recording industry revenues rights-holders rights-owners Robbie Williams Rome Convention royalty sampling song sound recording Statute of Anne studio tape trade traditional unauthorised University Press users