Technology and Expressiveness in Recorded Classical Music: A Case Study in Recent Western Art and Culture |
Common terms and phrases
¹Ibid 2Ibid 3Ibid 4Ibid Adorno aesthetic American anomie appears areas artistic Barrington become Beethoven believes century church cites classical music Company concept considered contemporary criticism Culshaw culture industry despite division of labor dominant economic Edited Ellul Emile Durkheim emotional expression force Frankfurt School Fred Gaisberg function Furthermore Gaisberg Gelatt Georg Simmel Goldsmith finds Gramophone Henri Queffélec High Fidelity Horkheimer Horowitz human ideal individual July-August Kurt H lack lībid machine mass mechanical Melvin Rader modern nature nology Opera organic solidarity Osborne performance personality Phonograph Post-Industrial Society production Quoted radio Read and Welch recording industry recording producer recording technology Records and Recording Records in Review reflected Religion result Robert Seabury Press secularization similar Simmel social Sociology sound sphere spiritual Stereo Review Szigeti tape tech technical technician technique technostructure tendencies theory tion trends University Press values writes Wyeth Press York