Music in central Java: experiencing music, expressing culture
Music in Central Java is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around theworld. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visitwww.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Central Java offers a vivid introduction to the region's musical and cultural landscape, showing how three themes--flexibility, appropriateness, and interconnectedness--characterize Javanese musical practices and traditions. Drawing on his extensive fieldwork, author Benjamin Brinnertakes an in-depth look at gamelan music--a traditional musical ensemble tradition that typically features metallophones, xylophones, drums, and gongs--providing readers with a sense of what it means to be a musician performing gamelan. Building from fundamental Javanese concepts of time and melody,the book covers gamelan's instruments, musical idioms, and central interactions and also surveys contrasting performance contexts. It examines both the theatrical and musical aspects of the vibrant tradition of shadow-puppet plays (Wayang kulit) and offers a broad survey of other music found inCentral Java. In addition, Music in Central Java provides an engaging portrait of a leading Javenese musician, traces musical responses to radical social, political, and cultural changes over the past century, and considers Javanese music in relation to Indonesia and the rest of the world. Enhanced by eyewitness accounts of performances, interviews with key performers, vivid illustrations, and hands-on listening activities, this book is a captivating introduction to the music of Central Java. It is packaged with a 78-minute audio CD containing examples of the music discussed inthe book.
27 pages matching pelog in this book
Results 1-3 of 27
What people are saying - Write a review
We haven't found any reviews in the usual places.
A Sense of Time
Gongs Drums and the Flexibility of Time
10 other sections not shown
Other editions - View all
appropriate Arjuna audience Ayak-ayakan balungan beat bonang Brajadenta Balela Brinner campursari CD track Central Java characters ciblon CM CM colotomic pattern colotomic structure court cues dance dhalang directed by Midiyanto drum patterns drummer elaborating ensemble female singers figure flexibility gambang gamelan music gamelan performance Gathutkaca gender gendhing gendhing lampah goal tones gong ageng gong cycles Hardo Budoyo hear Indonesian irama Javanese gamelan Javanese music Javanese musicians kempul kendhang kendhang gendhing kenong Ketawang Ketawang Subakastawa kethuk klenengan Ladrang Ladrang Asmaradana Lancaran Lancaran Singa Nebah Listen to CD macapat male mallet Mangkunagaran Manyura melody Midiyanto ngelik notation numerous Pak Cokro palace panerus pathet Pathetan peking pelog performing arts pesindhen phrases piece pitch player puppets rebab salahan Sampak Sanga saron scene screen seleh shadow play singing siter slendro Solo song sound Srepeg strokes style sulukan Sutino tempo texts theater tuning types vocal wangsalan Wantah wayang kulit wayang performance Yogyakarta