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American Fiction 1953
American Fiction 1962
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absurd action Alberto Moravia American artist Beckett become Bellow Camus Camus’s Canadian characters conﬂict contemporary critics death deﬁned deﬁnition diﬂicult Doctor Zhivago drama dream essays Estragon existence experience feeling ﬁction ﬁctional ﬁgures ﬁnal ﬁnally ﬁnd ﬁre ﬁrst ﬁrst novel ﬂow French Genet Godot Golding’s hero human imagination inﬂuence intellectual Ionesco Italian James Purdy Jewish language Lawrence Durrell literary literature lives man’s meaning ment modern moral Moravia myth Nabokov narrative narrator Nathalie Sarraute nature Negro never novelist Pale Fire passion perhaps Pincher Martin play poems poet poetic poetry political prose reader realism reality reﬂect reprinted Richard Kostelanetz Robbe-Grillet Samuel Beckett Sarraute Sartre Sartre’s Saul Bellow scene seems sense sexual signiﬁcant social society Stanley Edgar Hyman story style symbolic T. S. Eliot theatre theme things tion traditional vision Vladimir Warren woman words writers Yiddish young Zhivago