An Evolution of the Topics of Sanskrit Dramaturgy: Beginning from Bharata's Nāṭyaśāstra to Dhananjaya's Daśarūpaka and Other Noted Works on Sanskrit Dramaturgy |
Contents
Types of Drama 154 | 1 |
Preliminaries of Drama 5480 | 54 |
Dramatic Plot 80161 | 80 |
Copyright | |
1 other sections not shown
Common terms and phrases
Abhinava according to Bharata action actor addressed Agnip Ankāvatāra Anubhāvas Bhā Bhāṇa Bharata says Bhāratī Bhāsa Bhāva Bhoja Bīja Bindu Brahmā Brahmin called caused characters courtesan D. R. II dance defines definition Dhananjaya Dhanika dramatic plot dramatist dramaturgy Erotic Sentiment example expressed four Garbha Ghosh Graceful Style hero heroine Ibid incidents Junctures Kaiśikī Kālidāsa Kāma Kārya kinds King Kohala later theorists main plot mainly means mentioned Mṛccha Mukha Nandi Narma Nāṭaka Nāṭikā NLRK Chow noted one's Patākā Permanent feeling play Prahasana Prakaraṇa Prakarī Prākṛt Prasangika Prastāvanā Praveśaka Pravṛtti presented Prof Prologue quoted Raghavan Rasa reading refers respect rightly Samavakāra Sandhi Sanskrit drama Sanskrit language Śānta Sattva scenes Seed speech stage subdivisions Sūtradhāra tathā Transitory feelings Udayana varieties Verbal Style verse Vibhāvas Vide view of Bharata Vīra Viskambhaka Viṣṇu Viśvanatha Vithi Vṛtti Vrttis words