Fiddler on the Move: Exploring the Klezmer World
"Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world. Fiddler on the Move places klezmer music squarely within American music studies, cultural studies, and ethnomusicology. Neither a chronology nor a comprehensive survey, the book describes a variety of approaches and perspectives for coming to terms with the highly diverse array of activities found under the klezmer umbrella. Bringing to his subject the insights of an accomplished ethnomusicologist, Slobin addresses such questions as: How does klezmer overlap with, and differ from, the many other contemporary "heritage" musics based on an assumed connection with a group identity and links to a tradition? How do economics, artistic expression, and the evocation of the past interact in motivating klezmer performers and audiences? In what kinds of environment does klezmer flourish? How do stylistic features such as genre, form, and ornamentation help to define the technique, affect, and aesthetic of klezmer? Featuring a music CD with many of the archival and contemporary recordings discussed in the text, this fascinating study will interest scholars, students, musicians, and music lovers
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Abe Schwartz aesthetic album Alicia Svigals American klezmer Araber-tants artistic audience authenticity Balkan Berlin bluegrass Brave Old World chronotope clarinet classical concert context core repertoire culture dance Dave Tarras Deborah Strauss decades describes diasporic Eastern European ethnic Europe example exotic feel fiddle Fiddler folk music gas-nign German Hankus Netsky Hasidic heritage musics homeland identity interview jazz Jewish music Jewish-American Jews Kazimierz klez KlezKamp Klezmatics klezmer band klezmer community Klezmer Conservatory Band klezmer music klezmer repertoire klezmer style klezmer world klezmorim Krakow krekhts liner notes listeners marketing Max Epstein melody micromusic modern move music system music-making musicians Naftule Brandwein non-Jewish offer ornament overlaps performance Perhnan piece play players recordings says scene sense Slobin social song sound studies Svigals's Tarras's term There's thing tion tradition transnational Trisker Rebns Khosid tune United vibrato violin violinist wedding world music Yiddish York