Mastering the Revels: The Regulation and Censorship of English Renaissance DramaMastering the Revels offers a detailed reconsideration of the regulation of English Renaissance drama. It is the first study to approach the issue through the role of the Masters of the Revels, who censored most late Tudor and early Stuart plays, relating the control they exercised over the actors to the political context of the court office they themselves held. |
From inside the book
72 pages matching Earl in this book
Page 296
Page 300
Page 303
Where's the rest of this book?
Results 1-3 of 72
Contents
Introduction | 1 |
Tilney Patronage and Profit 157989 | 41 |
Martin Marprelate Sir Thomas More Marlowe c 158993 74 | 93 |
Copyright | |
8 other sections not shown
Other editions - View all
Mastering the Revels: The Regulation and Censorship of English Renaissance Drama Richard Dutton No preview available - 2014 |
Common terms and phrases
acting companies actors allowed apparently argued Astley Astley's audience authority Barnavelt Ben Jonson Blackfriars boys Buc's Buckingham Byron Cecil censor censorship Chambers Chapman Children of Paul's Cobham comedies context drama dramatists E. K. Chambers Earl Eastward Ho edition Elizabeth Elizabethan England English Essex evidence factional favour Game at Chess George Buc Herbert History Howard Hunsdon involved Isle of Dogs issue Jacobean James James's Jonson king King's King's Men Lady Leicester letter licensed London Lord Chamberlain Lord Mayor Lyly Lyly's Majestie masques Master Middleton offence office-book patent patron patronage Pembroke Pembroke's performed at court persons Phao play players political possible Prince printed Privy Council quarto Queen Ralegh record references reign relation Renaissance Revels Office Richard role royal Salisbury satire scene Second Maiden's Tragedy seems Sejanus Shakespeare Sir John Sir Thomas Spain Spanish specific stage Streitberger Stuart Suffolk suggests theatres theatrical Tilney Tilney's troupe Wilson