Modern Art, 19th and 20th Centuries |
Contents
CEZANNE | 1 |
COURBET AND POPULAR IMAGERY | 47 |
ON A PAINTING OF VAN GOGH | 85 |
Copyright | |
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abstract art abstract painting academic art aesthetic Alfred Stieglitz American appears apples architecture Armory Show Arshile Gorky artists aspect bars beauty Broadway Boogie-Woogie Cézanne Cézanne's Chagall Chagall's Champfleury color common composition conception contemporary contrast Courbet criticism Cubist culture drawing elements European exhibition experience expression feeling field figure forms freedom geometric Gogh Gorky grid Gustave Courbet human Ibid ideal ideas imagery imagination imitation Impressionism Impressionists individual Ingres interest landscape later Léger lines Matisse ment Michael Noll modern art Mondrian mood movement Museum of Modern nature Neo-Impressionist nineteenth century nude objects older painter painting and sculpture Paris Paul Cézanne Picasso picture popular primitive pure qualities random reaction realistic representation represented reproduced scene seems sense Seuphor Seurat shapes social space square still-life style subjects symbolic taste themes tion tive tradition units values vertical and horizontal vision whole woman York Zola