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The Place of ElectroAcoustic Music
The Etudes of 1948
Amplitude and Volume
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additive synthesis amplitude modulation aspects Babbitt Berio Buchla synthesizer characteristics chords classical electronic music classical studio electronic Cologne studio Columbia-Princeton Electronic Music combinations complex composed computer music control voltage created cutting and splicing Cybersonic Cantilevers Davidovsky designed developed Digital Synthesizer Eimert electrical electro-acoustic music Electronic Music Center electronic music studio electronic organs electronic sounds Ensembles envelope equipment filter frequency modulation harmonic heard instru keyboard listener live/electronic music Moog synthesizer Morton Subotnick music systems musical instruments musique concrete Oliveros original oscillators Pauline Oliveros Philips piano pitch played possible prerecorded produce qualities real-time performance result reverberation ring modulation Risset Schaeffer Schrader score Second Electronic Setting signal sound events sound material sound source speed change Stockhausen studio composition studio electronic music Syn-Ket Synclavier tape delay tape loops tape manipulation techniques tape music tape recorders Telharmonium Thema timbral timbre tion Ussachevsky Vladimir Ussachevsky voice voltage-controlled synthesizer waveforms Wild Bull