An Event in Space: JoAnne Akalaitis in Rehearsal |
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Page 48
... body in performance . It makes sense then , that her approach to directing is first and foremost a physical one ... body is vital to any the- atrical event : The text is spoken by the voice that comes out of the body , costumes go on the ...
... body in performance . It makes sense then , that her approach to directing is first and foremost a physical one ... body is vital to any the- atrical event : The text is spoken by the voice that comes out of the body , costumes go on the ...
Page 52
... body is moving through space , to the way it activates and is activated by the other bodies around them . Throughout the exercise , Akalaitis reminds the actors that they should be “ interested in what every part of their body is doing ...
... body is moving through space , to the way it activates and is activated by the other bodies around them . Throughout the exercise , Akalaitis reminds the actors that they should be “ interested in what every part of their body is doing ...
Page 54
... body initiates the change . They also move in order to " understand " what it means to stop or to start up again because another body is perhaps nearby or blocking their path . And , as alway , they move in order to " understand " their ...
... body initiates the change . They also move in order to " understand " what it means to stop or to start up again because another body is perhaps nearby or blocking their path . And , as alway , they move in order to " understand " their ...
Contents
one Akalaitis and Mabou Mines 19701984 | 1 |
two The Legacy of Mabou Mines | 33 |
three The Physical Exercises | 47 |
Copyright | |
5 other sections not shown
Common terms and phrases
acting actors aesthetic Akalaitis reminds Akalaitis's American Theatre Annabella Anne Bogart architecture asks the actors Atlantic Center audience Beckett become body Brecht Cascando character Chicago Chorus collaborative composition create creative critics dance Dead End Kids directing Drama emotional Euripides explore feel Genet gestures going Goodman Theatre Greek Grotowski Guthrie happens idea images interested interview investigate Iphigenia Jean Genet Jesse Borrego JoAnne Akalaitis JoAnne's Joseph Papp kind Lee Breuer live Mabou Mines Maleczech microphone Mines's move movement mudras onstage Papp Performing Arts Journal Philip Glass physical exercises playwright political production Red Horse Animation rehearsal period rehearsal process response Review of Dead scene scenic Screens sense Shaggy Dog slow motion slow-motion someone Soranzo space stage stopping-and-starting story talk theater piece theatrical there's thing tion Tis Pity Village Voice visual warm-up Warrilow Whore York Shakespeare Festival