Prefaces to Criticism |
Contents
Introduction and Bibliographical Note 3 | 23 |
The Renaissance Restatement | 44 |
Neoclassic Developments and Reactions | 57 |
Copyright | |
5 other sections not shown
Common terms and phrases
abstract activity American criticism ancient approach Aristotle Aristotle's Arnold Art of Poetry attitudes awareness beauty became become belief character cism classical antiquity classical tradition Coleridge Coleridge's comedy commentary conception concrete critical theory critical writing discussion distinction drama Dryden eighteenth century emotional England English criticism especially essay example experience feeling French Greek Hazlitt Hence Hulme human I. A. Richards ideal ideas imagination imitation influence interest Irving Babbitt Johnson Keats language later less Literary Criticism literature Longinus Matthew Arnold means mind moral nature neoclassic critic neoclassic theory neoclassicism nineteenth century object organic original Oxford particular philosophy Plato poem poet poetic Preface premise present principles psychology qualities reaction reality reason Renaissance Reynolds romantic romanticism Sainte-Beuve Samuel Johnson Schlegel sense Shakespeare Sidney specific stress style sympathetic identification T. E. Hulme T. S. Eliot taste term things thought tion tragedy truth ture unified unity universal verse words Wordsworth