Behind Bars: The Definitive Guide To Music Notation

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Faber Music Ltd, Aug 17, 2016 - Music - 304 pages
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Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. This full eBook version is in fixed-layout format to ensure layout and image quality is consistent with the original hardback edition.

Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable.

This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. This is the full eBook version of the original hardback edition.
 

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I didn't actually read it, but I needed more references in my essay, so I threw this in. 100% judging the book by it's cover, I think it was amazing. It has a very good title that sounds really nice in a reference. Thank you Ms. Gould.

Contents

Chords Dotted notes Ties
45
Accidentals and Key Signatures
75
Dynamics and Articulation
99
Grace Notes Arpeggiated Chords Trills Glissandos and Vibrato
123
Metre
149
Tuplets
191
Repeat Signs
217
IDIOMATIC NOTATION
241
Percussion
269
Keyboard
301
Harp
349
Classical Guitar
371
Strings
391
Vocal Music
431
Further Reading
655
Index
661

Woodwind and Brass
243

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About the author (2016)

Elaine Gould has been Senior New Music Editor at Faber Music since 1987, in which capacity she has edited the complex and varied scores of such composers as Oliver Knussen, Jonathan Harvey, George Benjamin, Colin Matthews and Thomas Adès. Before this she was a freelance copyist, specializing in copying contemporary music for several leading British music publishers. She is amongst the most highly respected music editors currently working in the field.

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