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Overture and beginnings
The work of music
The crux for the realist
The concept of interest
Bibliography and discography
aesthetic argue arguments art music artefact artistic Bach Bach's Beethoven certainly Chapter character claim composer composer's concept of art consensus constructivism context Count Basic counts as art course critic culture describe discussion distinction Eduard Hanslick emotions example exist explain expressive descriptions expressive features expressivist fact feel Fifth Symphony function Gurney Hanslick hear idea ideal observer theory individual instrumental interest interpretation jazz Jenufa Jerrold Levinson judge judgement listener matter meaning merit metaphorical Miles Davis moral move movement Mozart musicians notated notion object opera Oxford particular performance perhaps Peter Kivy philosophers pianist piano piece of music play pleasure possibility problem profound question realist reason reflect Richard Strauss rock music seems sense sometimes sonata sort sound status Stephen Davies suggest Symphony taste thesis thought tion token understanding University Press verdict Western classical music Wittgenstein word writing