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19th century achieve action Aegeus Aeschylean Aeschylus Ajax Aline Antigone appears Aristotle artist Athenian Athens attempted attitude audience awareness characters Chekhov chorus Cleisthenes Clytemnestra concept conflict contemporary Cordelia creative Creon critical death Dionysus drama dramatist Duchess Edward elements Elizabethan emotional employed Enlightenment equilibrium ethical Euripides evil expression forces fundamental Gaveston gods Greek tragedy Haemon hero Hesiod Hilda Homer human Ibid Ibsen ideal Ifedea imagination individual Jacobean Jason Jean Julia King Lear Krutch later man's mannerist Marlowe means medieval modern moral Mortimer nature observed Odysseus Oedipus pattern Peisistratus personality philosophy play playwright plot poet political possible presented problem Prometheus protagonist Protestantism Ragnar rationalism reflected Renaissance responsibility reveals scene sense served Shakespeare significance social society Solness Sophoclean Sophocles soul speech spirit stage Strindberg struggle suffering suggests symbol Tamburlaine tension theatre theatrical thou tion tragic experience tragic impulse Treplev Trigorin universe Webster Zeus