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allowed Alonso analogy angels apostles artist believe body brushwork Byzantine Carrenza's Catholic centre century Christ Christian Church classical colour colourist concept contemplation contemporaries Counter-Reformation Crete Crucifixion culture described divine drama drawing embodiment Espolio extraordinary faculties faith Father figures flesh foreground gesture God's grace Greco saw Greco's art Greco's painting Greek heart history of art Holy human Ibn al-'Arabi icon iconographer imagery imagination Incarnation inner intellectual intuition Italian language Laocoon light Madrid Mannerists matter meditation Michelangelo modern Museo Museo del Prado mystery mystical experience nature never painter Pentecost perhaps Plato Plotinus poetic possible Prado Raphael realism religious Renaissance Resurrection retable Richard Mann role Rudolf Wittkower sacred saint seen sense sensibility similitude solitude soul space spectator spiritual St John studio style symbols taste theme theology things Tintoretto Titian Toledans Toledo Toledo Cathedral transcendence Tridentine Trullan Council unction vision Vladimir Lossky word