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Towards a Critical Theory of Third World Films
Teshome H Gabriel
Towards a Third
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aesthetic African American African cinema Anna Rodrigo articulation artist become body camera Ceddo colonial concept contemporary context conventional creative critical theory discourse dominant dynamic economic emergence emphasise Eurocentric existence Fanon figure film culture film-makers filmic function Gabriel genre gesture Ghatak Glauber Rocha griot Haile Gerima Hollywood human identify identity ideological independent industry intellectual Iran Iranians issue Jayamanne Jukti knowledge Kumar Shahani language Latin American liberation manifest meaning mediawork modern movement narrative narrator Naxalite object oral tradition organisation Ousmane Sembene phase political Pongnere popular memory position post-aesthetic practice production question realisation reality relation relationship representation Ritwik Ghatak role Sembene sense shots social socialist society Song of Ceylon space speak spectator story strategies structure struggle theoretical Third Cinema Third World cinema Third World film tion transformation viewer voice Wend Kuuni Western World cinema