Who Needs Greek?: Contests in the Cultural History of Hellenism
Does Greek matter? To whom and why? This interdisciplinary study focuses on moments when passionate conflicts about Greek and Greek-ness have erupted in both the modern and the ancient worlds. It looks at the Renaissance, when men were burned at the stake over biblical Greek, at violent Victorian rows over national culture and the schooling of a country, at the shocking performances of modernist opera - and it also examines the ancient world and its ideas of what it means to be Greek, especially in the first and second centuries CE. The book sheds light on how the ancient and modern worlds interrelate, and how fantasies and deals, struggles and conflicts have come together under the name of Greece. As a contribution to theatre studies, Renaissance and Victorian cultural history, and to the understanding of ancient writing, this book takes reception studies in an exciting alternative direction.
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A/or academic Aeschylus Anacharsis ancient ancient Greece argument Arnold Attic audience authority became become called Cambridge Cambridge Greek Play Cambridge University Library celebrated Chamberlain chapter Christian claim classical Clytemnestra construction contemporary critical cultural identity debate declared dialogue discussion drama Duncan edition Elektra Empire engagement England English Erasmus especially Favorinus figure friends German Greece Greek culture Greek language Greek studies Headlam Hellenism Herodotus heroes Hofmannsthal Hofmannsthal's Homer ideal intellectual Jerome Keats knowing Greek knowledge language Latin learning Greek lecture letters literary Lucian Lycinus Matthew Arnold Metsys modern myth narrative opera Oresteia passionate performance philosophical play Plutarch polemical political portrait praise prose question Quincey Quincey's reader reform religious rhetoric Robert Lowe role Roman Questions satire scholars scholarship Shaw social Sophocles speech stake story Strauss Syrian tradition tragedy translation Verrall Victorian Viola Tree Wagner words writing wrote