A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection

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Art Institute of Chicago, 1997 - Art - 359 pages
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The James and Marilynn Alsdorf Collection is one of the finest private collections of Indian, Himalayan, and Southeast Asian art in the United States. Although this extraordinary collection is well known to scholars and collectors, this catalogue, produced by The Art Institute of Chicago, provides the first opportunity for the general public to see these remarkable works of art. Assembled over a period of several decades by the Alsdorfs, this vast collection includes sculpture, jewelry, paintings, architectural elements, and other objects. The works come from India, Afghanistan, Pakistan, Tibet, Nepal, Bangladesh, Bhutan, Burma, Thailand, Cambodia, Vietnam, and Indonesia, and they range in date from the second century B.C. to this century. This book has been written by the eminent scholar Pratapaditya Pal, the Art Institute's Visiting Curator of Indian, Himalayan, and Southeast Asian Art. Dr. Pal explains the major themes represented in the collection - Hindu gods, Buddhist and Jain subjects, goddesses, other human figures, religious and secular objects, and animals - and discusses in detail the style, history, and iconography of individual pieces.

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About the author (1997)

Pratapaditya Pal is Visiting Curator of India, Himalayan, and Southwest Asian Art at The Art Institute of Chicago and former Senior Curator of Indian and Southeast Asian Art at the Los Angeles County Museum of Art (LACMA). He is the author or coauthor of over fifty books, monographs, and exhibition catalogs. Amy Heller has been a member of a research team of the Centre National de la Recherche Scientifique in Paris since 1986. Her publications include "Tibetan Art "(1999).

Steven little contributes articles and reviews to a number of fine art magazines and journals. He specializes in postwar British art and sculpture and is currently Web Editor for The Royal Academy of Arts in London.

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