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ancient aster Author Authour Blank Verse Boerhaave Books caresul Censure Character Comedy common consessed considered Consusion Converfation Corruption Country Criticism Curiosity Desects Dictionary Diligence Dissiculty Divine Drama Dramatick easily endeavoured Englijh Epitaph ev'ry Excellence exhibit expected facred faid fame fatissied Fiction Friend Genius give Harleian Library Honour hope Imagination Imitation insormed King King of Portugal Knowledge Labour Language Learning less Lexicographer likewise Line Lise Lord Lordship Mankind Means Mind modern Name Nation Nature never Number o'er obscure observed Occasion once Opinion Orthography Passion perhaps Persection Pharsalia Plautus Plays Pleasure Poet Pope Portuguese Pow'r Praise preserved Prosession publick racter Reader Reason Reign Roman SATIRE of JUVENAL scarce Scenes seel Sense Sfor Shakespeare shew Signisication sirst sometimes Sophocles Stile surnish surther sussicient suture terton Things thou thoufand thought tion Tongue Tragedy Truth usesul Verse Virtue Words World Writers
Page 98 - His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual ; in those of Shakespeare it is commonly a species.
Page 73 - ... admitting among the additions of later times, only such as may supply real deficiencies, such as are readily adopted by the genius of our tongue, and incorporate easily with our native idioms.
Page 149 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
Page 122 - There is, however, proof enough that he was a very diligent reader, nor was our language then so indigent of books, but that he might very liberally indulge his curiosity without excursion into foreign literature.
Page 68 - To explain requires the use of terms less abstruse than that which is to be explained, and such terms cannot always be found; for as nothing can be proved but by supposing something intuitively known and evident without proof, so nothing can be defined but by the use of words too plain to admit a definition.
Page 107 - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Page 113 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Page 135 - The opinions prevalent in one age, as truths above the reach of controversy, are confuted and rejected in another, and rise again to reception in remoter times. Thus the human mind is kept in motion without progress.