The New York School: A Cultural ReckoningWith the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement--from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale--she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene. |
Contents
Introduction | 1 |
Greenwich Villageand Depression | 15 |
Hell its not just about painting | 20 |
Copyright | |
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abstract art abstract expressionist Ad Reinhardt Adolph Gottlieb alienation American art American artists American painting Arshile Gorky art world attitude avant-garde ballet Barnett Newman Barr Baziotes began Betty Parsons Breton called Cézanne contemporary courtesy critics cubist dealers Denby discussion early esthetic Europe European exhibition existentialist experience Franz Kline gallery Graham Greenberg Guggenheim Guston Harold Rosenberg Hess Hofmann idea important individual intellectual interest issue Jackson Pollock John Kandinsky Kiesler Kline Kooning's later Lee Krasner literary Longinus MacAgy Magazine mass Matta milieu modern art modern artist modern tradition movement Museum of Modern myth nineteen-forties nineteen-thirties one-man Paalen painters Partisan Review Peggy Philip Guston Photo Picasso picture poets political problems Reinhardt rhetoric Robert Motherwell romantic Rothko Schapiro sculpture seemed sense situation social society statements Stuart Davis studio sublime surrealism surrealist Sweeney thirties tion vanguard Willem de Kooning writers wrote York artists York School