Tekstura: Russian Essays on Visual Culture
Alla Efimova, Lev Manovich, Lev Manovitch, University of Chicago Press
University of Chicago Press, Oct 15, 1993 - Art - 231 pages
Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and critics themselves approach the history of visual culture in the former Soviet Union?
Taking its title from a Russian word that can refer to the 'texture" of life, painting, or writing, this anthology assembles thirteen key essays in art history and cultural theory by Russian-language writers. The essays erase boundaries between high and low, official and dissident, avant-garde and socialist realism, art and everyday life. Everything visual is deemed worthy of analysis, whether painting or propaganda banners, architecture or candy wrappers, mass celebrations or urban refuse.
Most of the essays appear here in English for the first time. The editors have selected works of the past twenty years by philosophers, literary critics, film scholars, and art historians. Also included are influential earlier essays by Mikhail Bakhtin, V. N. Voloshinov, and Sergei Eisenstein. Compiled for general readers and specialists alike, Tekstura is a valuable resource for anyone interested in Russian and Soviet cultural history or in new theoretical approaches to the visual.
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THE STUDY OF IDEOLOGIES AND PHILOSOPHY
THE SPATIAL FORM OF A CHARACTER
PUBLIC AND ARTIST IN RUSSIA AT THE TURN
aesthetic architecture become Boris Groys Bryullov's candy wrapper canvas century color composition consciousness contemporary created criticism depiction diorama display Eisenstein elements essay everyday exhibition existence expression fact figure frame function glass historical human Ibid iconic idea ideological sign important individual inner instance interpreted Kabakov's painting Komar and Melamid language Le Corbusier Ledoux light living lyrical museum mass celebrations material meaning Mikhail Mir iskusstva mirror Moscow motif movement nature Newton Nizhni Novgorod object ontological organization painter painterly perception Peredvizhniki picture political popular portrait precisely problem reality realogy Repin representation represented role Russian art Russian avant-garde semiotic Serov significant social Socialist Realism Soviet space spatial stage Stalin Stalin period structure style symbolic Tatlin's Tower theater theatrical theory Things tion traditional transparency Tretyakov Gallery turn veil verbal vesch viewer visual culture Vrubel's words Yermolova yurodivy Yury Lotman