Art; a Bryn Mawr Symposium |
From inside the book
Results 1-3 of 16
Page 195
... person colour - blind , or tone - deaf , but also such conditions as freshness and fatigue , the accumulated experience of the person , and lastly his interests , goals , strivings . This statement has important consequences , for it ...
... person colour - blind , or tone - deaf , but also such conditions as freshness and fatigue , the accumulated experience of the person , and lastly his interests , goals , strivings . This statement has important consequences , for it ...
Page 197
... person hears a very complicated fugue and another nothing but a chaos of tones or noises , then we cannot expect the second person to like what he hears as much as the first . Relativity there is , in the sense that the phenomenal ...
... person hears a very complicated fugue and another nothing but a chaos of tones or noises , then we cannot expect the second person to like what he hears as much as the first . Relativity there is , in the sense that the phenomenal ...
Page 270
... person to person , and occurs chiefly in a certain social setting ; so any single factor cannot explain the phenomenon entirely . But it seems to me that a power- ful factor in this complex situation is this very resistance against self ...
... person to person , and occurs chiefly in a certain social setting ; so any single factor cannot explain the phenomenon entirely . But it seems to me that a power- ful factor in this complex situation is this very resistance against self ...
Contents
RICHARD BERN | 1 |
RHYS CARPENTER | 75 |
Evolution of Modern Painting | 117 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
A. C. Bradley absolutely beautiful abstract abstract art activity actual aesthetic archaeologist archaic phase archaism art-object art's artist aware BRYN MAWR COLLEGE color complete concept decorative definite demands drapery eagle effect El Greco emotions ence environment experience fact feeling field figures formal function gestalt Giotto Greek human illusion image-likeness imitation implications impressionism interest judgment of taste Kant kind landscape lecture limited linear logical material mathematical meaning ment mental mind modern mood nature non-aesthetic organism painter painting person phenomenal object physical physiognomic characters picture Plato possible primitive problem produce psychology of art pure realistic reality reference relation relationship religious representation representational art requiredness sculpture sense sensuous shapes solid spatial spectator stimulus subject-matter symbols task tation technical evolution technique theory of form things tion true uncon unity universe of discourse valid visual