CÚzanne: Landscape Into Art

Front Cover
Yale University Press, Jan 1, 1996 - Art - 157 pages
0 Reviews
Reviews aren't verified, but Google checks for and removes fake content when it's identified
This beautiful book presents a new perspective on Paul Cezanne, one of the towering and most influential figures of nineteenth-century art. Pavel Machotka has photographed the sites of Cezanne's landscape paintings - whenever possible from the same spot and at the same time of day that Cezanne painted the scenes. Juxtaposing these color photographs with reproductions of the paintings, he offers a dazzling range of evidence to demonstrate how the great painter transformed nature into works of art. Machotka, himself an artist, moves from painting to painting, examining textures and surfaces, pictorial rhythms, and inflections of tone. As he analyzes Cezanne's treatment of individual sites, their transposition into forms and colors, and the artist's responsiveness to the demands of each unique composition, we begin to see Cezanne as he saw himself: not as an early Cubist, but as a painter who explored every aspect of his motif for its rich compositional potential and presented a parallel and faithful conception of it. Using color to define form, while retaining hues that are anchored in reality, Cezanne achieved sensuous reconstructions, rather than intellectual depictions like those of the Cubists. While there are other books on Cezanne's landscapes, none is as closely informed by painterly knowledge and perception or as complete in its grasp of Cezanne's period and geography as this one. A visual delight, it is also an illuminating and original interaction with the artist's work.
 

What people are saying - Write a review

Reviews aren't verified, but Google checks for and removes fake content when it's identified

C├ƒ┬ęzanne: landscape into art

User Review  - Not Available - Book Verdict

For most of this century, artists and scholars have been amazed by the richness of Cezanne's work. Painter and photographer Machotka (psychology and art, Univ. of California, Santa Cruz) builds upon ... Read full review

Contents

Section 1
Section 2
Section 3
Section 4
Section 5
Section 6
Section 7
Section 8
Section 23
Section 24
Section 25
Section 26
Section 27
Section 28
Section 29
Section 30

Section 9
Section 10
Section 11
Section 12
Section 13
Section 14
Section 15
Section 16
Section 17
Section 18
Section 19
Section 20
Section 21
Section 22
Section 31
Section 32
Section 33
Section 34
Section 35
Section 36
Section 37
Section 38
Section 39
Section 40
Section 41
Section 42
Section 43

Other editions - View all

Common terms and phrases

Bibliographic information