Art; a Bryn Mawr Symposium |
Contents
RICHARD Bern | 1 |
RHYS CARPENTER | 75 |
Evolution of Modern Painting | 117 |
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Common terms and phrases
A. C. Bradley absolutely beautiful abstract abstract art activity actual aesthetic archaeologist archaic phase archaism art object art-object art's artist aware Bryn Mawr BRYN MAWR COLLEGE color complete concept definite demands drapery eagle effect emotions ence environment experience fact feeling field figures formal function Gilbert Murray Giotto Greek human illusion image-likeness imitation implies interest judgment of taste Kant kind landscape lecture limited logical material mathematical meaning ment mental mind modern mood nature non-aesthetic organism painter painting phenomenal object physical physiognomic characters picture Plato possible primitive problem produce psychology of art pure qualities realistic reality reference relation relationship religious representation representational art requiredness sculpture sense sensuous shapes solid spatial spectator stimulus subject-matter symbols task tation technical evolution technique theory of form things tion true U. C. BERKELEY unity universe of discourse valid visual