The Documentary Film: A Study of Communication |
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According areas audience characteristics basic Berelson bodies of content camera angle Chapter cited concepts concerned content analysis criteria criticism depict dialogue docu documentary film form documentary filmmaker editing effects evaluation examination experience film communication film production filmmaker views filmmaker's films primarily Flaherty's footage Frederick Wiseman Gessner Grierson Handel human IMI Schema included instructional film Intended Message Inventory intent interpretation investigator John Birch Society John Grierson Kracauer Leites and Pool literature Louisiana Story MacGowan mass communication mentary film mentary filmmaking ments methods motion picture moving camera Nanook narration newsreels Pare Lorentz Paul Rotha percent present study programing propaganda and political propaganda films purpose quantitative recorded Richard Griffith Robert Flaherty Rotha scenes Schramm's screen script Sergei Eisenstein shots social sound story tabulated target audience technical techniques television theater theatrical film tion type of film United utilized viewer visual World War II