Expressionist Architecture |
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Page 28
... ment of a large part of the population in rural areas . No less than a million new agricultural enterprises were planned to cater for approximately six million inhab- itants . There were reasons for the pessimism that found expression ...
... ment of a large part of the population in rural areas . No less than a million new agricultural enterprises were planned to cater for approximately six million inhab- itants . There were reasons for the pessimism that found expression ...
Page 106
... ment is taken into account not only metaphorically , in terms of formal dynamics , but also in real terms , in the organization of flow . It is this real move- ment or flow of traffic alone that makes completely clear the movement of ...
... ment is taken into account not only metaphorically , in terms of formal dynamics , but also in real terms , in the organization of flow . It is this real move- ment or flow of traffic alone that makes completely clear the movement of ...
Page 170
... ment . Boccioni imagined ' environment sculptures ' , sculture d'ambiente , which pro- jected into space to give it sculptural form , and Severini called for the consum- mation of art ' in architectural contexts'.6 The Futurists of ...
... ment . Boccioni imagined ' environment sculptures ' , sculture d'ambiente , which pro- jected into space to give it sculptural form , and Severini called for the consum- mation of art ' in architectural contexts'.6 The Futurists of ...
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Adolf Amsterdam appeared archi architects architecture artists Bauhaus Behne Behrens Berlin brick Bruno Taut building built called century church Collection colour concrete construction course crafts crystal demands designs dome Dornach drawings early effect elements Erich Mendelsohn Ernst exhibition expression Expressionism Expressionist façade fact feeling Finsterlin Fritz function future Futurist German give glass Gothic ground hall Hamburg hand Hans Hermann Hermann Obrist Hoetger ideas important individual industry interest Italy Karl kind Kunst later light masses material means monumental movement nature organized Osthaus Otto Paul period Peter Poelzig possible practical regarded roof sculptural side sketches social Steiner structure studies style symbol Taut's theatre things thought tion took tower town ture turn View wall Walter Gropius Weimar whole Wilhelm