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THE MUSIC OF THE ANCIENT GREEKS II
THE RENAISSANCE COMES TO MUSIC
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artistic Bach bass became Beethoven began beginning Berlioz Boethius Brahms C. P. E. Bach called Camerata chapter characteristic choral chord Church Columbia composers composition Concerto contemporaries dance discant drama early English Europe expression fact France French German Geschichte Gramophone Greek Guido harmonic harpsichord Haydn hexachord history of music hymn important influence instrumental music interest intervals Italian Italy Josquin kithara later madrigal medieval Medieval Music melody ment method Minnesingers modern modes monochord monophonic Monteverde Monteverde's motet movement Mozart musica ficta musical art musical development musical form musicians neumes notation octave opera opus oratorio orchestra organ organist organum overture Parlophone perfect performed piano plain-song played polyphonic popular READINGS AND RECORDINGS rhythmic rhythmic modes Roman Romanticism Rome scale Schumann secular music singers singing sixteenth century solo sonata song structure style Symphony technic tetrachord tion tonal tone tradition Troubadours Victor Musical Master violin viols voice Wagner whole