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Abhinavagupta aesthetic sentiments afn'sa ancient artists beauty Bengal bhairava Bharata Brahman Buddhist Calcutta century A.D. chapter classical music colour composed composition connection culture deities described dhruva dhruvapada dhyanas divided divine drama drums emotional sentiments evolved gana gandhara-grama gandharva gramaragas gramas Hindu Indian music jatiragas jatis Kallinath karanas Khan kheyal kinds kirtana known kutapa madhyama Mahabharata manifested Matanga means mela melodies mentioned microtones miircchana murcchana music of Bengal musical instruments musical sounds musicians musicologists Narada Natyasastra notes opinion orchestra Orissa pada paintings pancali pancama Pandit Parsvadeva pasyanti period play prabandha Prof Puranas puskara ragas raginis Raja Ramayana rasa Regarding rhythm rsabha sadja samagana Sangita-Ratnakara Sanskrit Sarangdeva says sculptures sentiments and moods singing Siva sphota srutis strings style sung svara symbol tala tanas theory tonal type of dance type of music type of songs Ustad VaranasI Vedic Vedic music veena vibrations Vide vowels word